The film opens with a long shot of a plain brick red
building that has a substantial chain link fence and barbed wire top running
around the perimeter. Text appears at the bottom of the screen letting us know
that we are starting the film at a prison; Bendwater federal penitentiary,
Colorado. As far as I can tell this place is fictional but it is based on a
similar place in Colorado Bentwater federal penitentiary.
The camera jumps to inside the prison and we see five layers
of cells each with metal bars across the back of the walkways the silver of the
metal is only broken up by the orange jumpsuits that the convicts are forced to
wear.
The camera jumps between close up shots of our protagonist
between his eyes and hands. We can see that he is weary of his surroundings. We
see a bible in his hands, any thought that he might want the bible for religious
reasons are shattered when he rips out and burs the page. This is a slight hint
that he will escape as the verse that he burns is Jeremiah 15:6 witch talks about
how the bad people will be destroyed, so by Stallone destroying this we see
that he will try to defy what has been written, a type of reference that is
insignificance but has thought behind it.
There is no music over the film giving a feeling of solitary
when we are made to feel on edge. There are low voices as Sylvester Stallone
draws on the wall using the ash as paint and his thumb as a brush. At this point we don’t know what he is
drawing but later we find that it is a copy of a picture that his child drew
him.
This give a good impression on the audience with slight
clever spins on simple detail, I would love to be able to put something like
this in my film but it requires a lot of deep thinking and I won’t have a
chance to finish the punch line as I’m only doing the opening.

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